{"id":73,"date":"2025-07-11T23:01:30","date_gmt":"2025-07-11T21:01:30","guid":{"rendered":"http:\/\/duo-beham-goldstein.de\/?page_id=73"},"modified":"2026-04-15T10:27:29","modified_gmt":"2026-04-15T08:27:29","slug":"media","status":"publish","type":"page","link":"https:\/\/www.duo-beham-goldstein.de\/en\/media\/","title":{"rendered":"Media"},"content":{"rendered":"
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Media<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\u201eThe two musicians left a totally exited public behind, raving about their unique sound and music making\u201c\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tDeggendorfer Zeitung im Oktober 2023<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201cWhen you hear and see them live, it\u2019s fun \u2013 and that transfers to the audience.\u201d\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im Oktober 2023<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Beham and Goldstein are both virtuosos on their instruments and understand each other perfectly. Anyone listening to this interplay will feel that these two musicians have found a special connection.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt Oktober im 2023<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\u201eThey drew the most angelic sounds out of their instruments\u201c \t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tPNP im November 2022<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Beham's runs simply sparkle in Mozart, and especially in the slow movements, he vocally interprets Mozart's grand lines. Goldstein, too, is a virtuoso, not only on the violin but also on the viola. He switches effortlessly between the two instruments. His viola sings warmly, the tone flows sensually.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im Oktober 2023<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"A perfectly coordinated duo\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tMoosburger Zeitung im April 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The audience witnessed a string acrobatics that was unparalleled.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tPlattlinger Anzeiger im Mai 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"However, the sparkling, gypsy-like element always came to the fore, with Goldstein always combining his technical virtuosity with a skillfully dosed dash of humor.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tLandshuter Zeitung im August 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The technical brilliance was also evident in other pieces, whether in Dinicus's chirping lark in the highest violin register or in Brunetti's very well-structured viola sonata. Goldstein also impressed with a warm, sustained pianissimo.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tLandshuter Zeitung im August 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The duo thrilled the audience with rarities by lesser-known masters such as the viola sonata by Czech Mozart Jan K\u0159titel Va\u0148hal or spirited pieces by Romanian violin virtuoso Grigora\u0219 Dinicu.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tS\u00fcddeutsche Zeitung im August 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"You notice immediately that the two form a unit. Only a glance or a gesture is rarely necessary. The two understand each other perfectly.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im September 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Not only is their absolute superiority in making their instruments sound impressive, but also the repertoire they play: their concerts are [...] extremely entertaining thanks to the varied and well-considered mix of large sonatas and shorter, smaller masterpieces.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im September 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Goldstein's incredibly velvety, warm tone, instantly recognizable for its captivating individuality, is particularly evident in the intimately played slow movements: in the slow movement of Schubert's Arpeggione Sonata, if you close your eyes, you have the impression of hearing a singer.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im September 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Beham's piano tone is characterized by a striking beauty and warmth. [...] It was particularly impressive how Beham, in the viola sonata by Johann Baptist Vanhal, an unjustly rarely performed contemporary of Mozart, lets even the most difficult runs shine and virtually celebrates the wide-ranging melodic arches of the slow movement.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tStraubinger Tagblatt im September 2024<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"In Franz Schubert's Sonata for Violin and Piano in G minor, D. 408, what was particularly striking was the extent to which the dialogue-based interplay was cultivated, with roles constantly changing. In the Andante, Goldstein took the opportunity to soulfully play the sustaining tone of his precious violin.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The full tone of the viola gave the Larghetto, in particular, a warm, human depth. Here, too, it was the emotional interplay, but also the virtuoso playing of the viola with a wonderful vibrato, that made this relatively little-known work [Sonata for Viola and Piano by Gaeatano Brunetti] so enjoyable.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The Meditation from the opera Tha\u00efs by Jules Massenet (1842-1922) is one of the great 'soul-soothing' pieces of late Romanticism. The Beham\/Goldstein ensemble lived up to this claim in every respect. The violin was intense and expressive in all registers, the piano sensitive.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"The main work after the interval was, of course, Ludwig van Beethoven's Sonata for Violin and Piano in G major, Op. 30\/3. A whole cosmos of emotions is processed in the three movements \u2013 and all of them contain true opportunities for these two outstanding musicians. The opening movement, 'Allegro assai,' provided a furious opening; both instruments played with immense emotion. In the second movement, 'Tempo di Menuetto,' they acted as sensitively as possible, while in the complex third movement, 'Allegro vivace,' they found energetic force, which the audience rewarded with thunderous applause.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Finally, it was another bravura piece, Pablo Sarasate's 'Zigeunerweisen' Op. 20, that captivated the audience: From breathtakingly smooth glissandi to spring bows, Goldstein let his violin shine, and Beham gave the whole thing that czardas rhythm that made the piece sound so fiery.\" \t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\"Of course, the evening couldn't end without an encore: This concert Csardas, by Romanian salon violinist Jo Kn\u00fcmann, offers everything in this genre: veritable piano cascades, the violin sometimes swift, sometimes sighing\u2014like a yearning love song. And last but not least, for a relaxing journey home, Franz Schubert's cozy 'Du bis die Ruh'.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChamer Zeitung im Februar 2025<\/span><\/cite>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Videothek<\/h2>\n\t\t\t\t\t\t
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